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My scenic practice explores the relationship between body, text, play and composition, articulating creative processes linked to movement, contemporary dramaturgy and theatricality.

I am particularly interested in working with presence, impulse, and the relationship between instinct, intuition and dramaturgical construction.

Carla Tovias during a stage creation process

ACTRESS AND DANCER

Trained in the pedagogy of Jacques Lecoq, I develop my performative work through play, presence and scenic composition. Performance and movement are a transversal part of my practice and constantly nourish my perspective as a director and creator.

Stage direction by Carla Tovias

STAGE DIRECTION

I develop stage direction processes linked to contemporary creation, physical theatre and scenic composition. I am especially interested in the construction of distinct scenic languages, the work with performers, and the relationship between body, space, rhythm and theatricality.

STAGE MOVEMENT AND STAGE COMPOSITION

I work with movement and scenic composition as dramaturgical tools applied to both theatrical and interdisciplinary processes. I accompany creative processes linked to rhythm, presence, the body-text relationship and the construction of scenic action.

PEDAGOGY

Alongside my artistic practice, I develop pedagogical projects and artistic accompaniment processes linked to the body, movement and contemporary creation. I am especially interested in generating working spaces where research, play and listening can activate new creative processes.

I understand pedagogy as a space of shared research connected to presence, play, risk and the relationship between body and language. I develop laboratories and accompaniment processes aimed at activating a living, embodied and conscious scenic practice.

Among the most recent laboratories and processes I have developed are L’Animal davant la paraula, Rebentar el discurs and Animalitats Humanes — working spaces focused on the relationship between body, instinct, dramaturgy and scenic presence.

Stage movement and physical composition
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